# How scoring works

> From FilmScorecard Help: https://www.filmscorecard.com/help/how-scoring-works

How FilmScorecard turns your judges' scorecards into one score out of 100, and
how to set it up for the way your festival judges.

Festivals score films in very different ways — one overall mark per judge, an
average of judges' totals, a technical pass before anything else counts.
FilmScorecard has one model, and almost every one of those habits fits inside
it. This page explains the model, walks one film through it, and shows how to
set it up for the way you already work.

## The short version

- **Every category a film is entered in is scored out of 100.** A film in two
  categories gets two scores, one in each.
- **That 100 is split between three kinds of scorecard** — **Creative**,
  **Technical** and **Press kit**. The split is the season's **weights**, and a
  new season starts at **60% / 20% / 20%**.
- **Each scorecard earns its slice in proportion to how it was marked.** A
  technical card that passed 15 of its 20 points earns three quarters of the
  Technical slice.
- **The Creative slice is shared by a panel.** The season says how many
  creative judges each category needs, and each of their scorecards earns an
  equal part of the slice. Technical and press kit are each filed **once**, so
  their whole slice lands the moment that one card is approved.
- **A score is what has been earned so far.** A film has no score until its
  first scorecard is approved — it reads **No scores**, never 0 — and from then
  on the score grows as the rest are approved. It is not a forecast of where
  the film will finish.
- **It is the same number everywhere.** The Submissions list, a submission's
  Scoring tab, the award screens, the CSV export, a connected AI app and the
  filmmaker's own scorecard and share card all show one figure for one film in
  one category.
- **Judges never give an overall score, and never see one.** They answer the
  questions on their scorecard; FilmScorecard does the arithmetic, and only your
  team sees the result.

## Where you set it

Open **Settings → Judging** and click **Scoring** to open its card. The
**How a score is made up** row is a small table, one row for each kind of
scorecard:

| Scorecard | Counts for | Judges |
| --- | --- | --- |
| **Creative** | Its share of the 100. | How many creative scorecards **each category** a film is entered in needs, 1 to 20. A film in two categories needs that many in each. |
| **Technical** | Its share of the 100. | Always **1**: the technical checklist is filed once. |
| **Press kit** | Its share of the 100. | Always **1**: the press-kit card is filed once, by your own team — no judge is ever offered one. |

The three **Counts for** shares are the season's weights, and they must add up
to 100%. The line under the table keeps count as you type — "The shares add up
to 100%." — and turns amber while they do not: "The shares add up to 90%. They
need to add up to 100%." Choose **Save changes** on the bar at the bottom of
the screen to keep them; it stays greyed out until the shares make 100.
**How scoring works ↗**, under the row's sentence, opens this guide in a new
tab.

**Two things lock, at different moments:**

- **Creative's Judges figure** locks while judging is open, because judges are
  already being offered films against it. The foot of the table says "The
  creative judge count is locked while judging is open."
- **The shares** lock once any scorecard has been released to a filmmaker,
  because a change would move a score somebody has already read; the foot of
  the table then reads "Shares are locked because scorecards have been
  released." Before that you can re-balance them at any time, even
  mid-judging — weights never touch a judge's marks.

Every field on the tab is described in
[Festival settings](https://www.filmscorecard.com/help/festival-settings.md#section-weights). What goes *on*
each scorecard — its questions and their points — is set in the library; see
[Categories and scorecards](https://www.filmscorecard.com/help/categories-and-scorecards.md#the-three-scorecard-slots).

## One film, start to finish

A season set to **60% Creative, 20% Technical, 20% Press kit**, with **3**
creative judges per category. A film entered in one category, whose scorecards
are worth:

- **Creative:** five 1-to-10 questions, so 50 points
- **Technical:** checklist items worth 20 points between them
- **Press kit:** items worth 10 points between them

Here is its score as each scorecard is approved:

| Approved so far | Creative | Technical | Press kit | Score |
| --- | --- | --- | --- | --- |
| Nothing yet | — | — | — | **No scores** |
| Judge 1 marks it **40 of 50** | 16 | — | — | **16** |
| Judge 2 marks it **45 of 50** | 34 | — | — | **34** |
| Judge 3 marks it **35 of 50** | 48 | — | — | **48** |
| The technical checklist passes **15 of 20** | 48 | 15 | — | **63** |
| The press kit earns **8 of 10** | 48 | 15 | 16 | **79** |

Where those numbers come from:

- **Creative is 48.** The three judges marked 120 of a possible 150 between
  them — an average of 80% — so Creative earns 80% of its 60. Each judge's card
  could earn at most a third of the 60, which is why one judge in shows 16, not
  48.
- **Technical is 15.** 15 of 20 is 75%, and 75% of 20 is 15.
- **Press kit is 16.** 8 of 10 is 80%, and 80% of 20 is 16.
- **The score is 79**, the three added together, out of 100.

**The order does not matter.** Had the technical checklist been approved before
any judge filed, the film would have read **15** from that moment, and each
judge's share would have been added to it as they came in. That is in fact the
usual order: on a season where
[creative judging waits for technical approval](https://www.filmscorecard.com/help/festival-settings.md#creative-judging-waits-for-technical-approval)
— the default — no judge is offered the creative scorecard until the checklist
is approved. The arithmetic comes out the same either way.

## Fitting the way your festival judges

**Your judges give one overall mark, out of 10.** Give the category a creative
scorecard with a single **1 to 10 scale** question, and weight the season
**100% Creative, 0% Technical, 0% Press kit**. The score is then the judges'
average mark, out of 100: an average of 7.5 reads 75. The category still needs
its technical checklist filed — at 0% it only decides when the film is
complete. If the checklist is approved before any judge files, expect the film
to read **0** until they do; see
[What happens when…](#what-happens-when).

**You average your judges' totals.** That is what Creative already does once
the panel is in. With a weight of 100% Creative, the score is exactly the
average total as a percentage.

**The technical check is a gate, not part of the score.** Weight Technical at
**0%**. The checklist is still filled in, the filmmaker still sees it, and a film
is still not complete without it — it simply adds nothing to the score. Leave
**Creative judging waits for technical approval** on, as it is by default, and
it is a gate in the other sense too: no judge is offered a film's creative
scorecard until its checklist has been approved.

**You do not judge press kits.** Leave the category's press-kit slot empty in
the library. The category is then scored over the two scorecards it does have
(see below), and nobody is asked to file one.

**You do not use creative judges in a category at all.** Leave its creative
slot empty in the library. The category is scored over its technical review and
press kit, still out of 100, and it is fully judged once those are approved —
no panel, so nothing waits for judges.

**Some categories need more judges than others.** That cannot be set: Judges is
one number for the whole season. Your own team can add creative scorecards to
any film — see [Filling out a scorecard yourself](https://www.filmscorecard.com/help/filling-out-a-scorecard.md).

## What happens when…

**A category has no press kit.** It is scored over the scorecards it uses, and
still out of 100. On a 60/20/20 season a category with no press kit is scored
**75% Creative, 25% Technical** — the two weights keep their proportions and fill
the whole 100. The exact split for any one category is written out on a
submission's
[Scoring tab](https://www.filmscorecard.com/help/opening-a-submission.md#what-the-100-is-divided-into).

**The technical review is approved before any judge.** The film has a score
straight away: the technical points it has banked. On a 60/20/20 season, a
checklist passed at 18 of 20 reads **18**, and the judges' shares are added to
it as they are approved. An approved press-kit card starts a score the same way.

**The press kit fills itself in, and nobody has scored the film yet.** No
score. Press kit items that watch a field on the submission — the tagline, the
synopsis, the poster — count only once an approved scorecard counts toward that
category: a judge's creative scorecard, the technical review, or the press-kit
card. A film nobody has judged reads **No scores** however complete its record
is.

**A weight is 0%.** That scorecard is collected but not scored: still filled in,
still shown to the filmmaker, still needed before the film is complete, and
worth nothing in the score. **If it is the first scorecard approved on a film,
the film's score starts at 0** rather than reading No scores — something has
been approved, and none of it carries points — and climbs as the weighted
scorecards arrive.

**Every weight a category uses is 0%.** The category then has nothing to score
out of. It reads **No scores** on your screens and on the filmmaker's
scorecard and share card — never "0 / 100" — and it is not ranked anywhere. Its
scorecards are still collected, and still needed before the film is complete.

**A film is in two categories.** It is scored separately in each, both out of
100 — never added together or blended. When two categories share the same
technical or press-kit scorecard, one filing serves both, and each category
applies its own weights to it. The Submissions list shows whichever of the two
has earned the most so far; see
[About scores](https://www.filmscorecard.com/help/submissions.md#about-scores).

**More creative scorecards come in than Judges asks for** — usually because
someone on your team added their own opinion. The Creative slice is then shared
among all of them, so no film can earn more than its 60.

**The numbers do not divide evenly.** FilmScorecard works with the exact figures
and rounds once, at the end, to a whole number. The three slices are rounded so
that they always add up to the score shown. A figure out of 10 — a judge's
result on the filmmaker's scorecard, a card's chip in the Review Queue — is
rounded half up to one decimal: 163 points of 200 reads **8.2**.

## When a film is fully judged

**A film is fully judged in a category when every scorecard that category uses
has been approved:**

- **Creative** — as many approved creative scorecards as the Creative row's
  **Judges** figure asks for, and never fewer than one. A colleague's own filing
  counts as one of them.
- **Technical** — the approved technical review, even when its checklist is
  worth no points or is weighted 0%.
- **Press kit** — the approved press-kit card, but only when the press kit has
  items somebody marks by hand. A press kit whose every item watches a field on
  the submission owes no card.

**A scorecard the category does not use owes nothing.** A category with no
creative slot never waits for judges. A film in several categories is fully
judged when each of them is; a film attached to no category never is.

That one definition decides:

- when a season set to release **When every submission is approved** or **As
  each submission is approved** sends a scorecard out — see
  [Releasing scorecards](https://www.filmscorecard.com/help/releasing-scorecards.md#when-every-submission-is-approved);
- when a category's rank can be released on the Awards screen — see
  [Releasing a category's rank](https://www.filmscorecard.com/help/awards.md#releasing-a-categorys-rank);
- when a submission's Scoring tab says "All scorecards filed".

**The Submissions list's Scoring filter is the one exception.** **All scores
in** looks at the creative panel and the technical review only, and leaves the
press kit out — see [About scores](https://www.filmscorecard.com/help/submissions.md#about-scores).

## Reading scores fairly

**A film that is still being judged reads low, and it is meant to.** One judge
in out of three can only have earned a third of the Creative slice. Before you
rank anything, set the Submissions list's **Scoring** filter to **All scores
in**, so you compare finished films with finished films — see
[Overall is points banked, not a forecast](https://www.filmscorecard.com/help/submissions.md#overall-is-points-banked-not-a-forecast).

**The colours show quality, not progress.** A score's colour compares what has
been earned with what *could* have been earned so far — so the one-judge film
above reads 16 in green, because 16 of a possible 20 is 80%. There are five
colours: green from 80%, light green from 70%, yellow from 50%, orange from
40%, and red below 40%. See
[The number and the colour answer different questions](https://www.filmscorecard.com/help/submissions.md#the-number-and-the-colour-answer-different-questions).

## Who sees what

- **Judges** see their own scorecard and nothing else: no weights, no totals, no
  colours, and nothing another judge filed. That cannot be turned off — see
  [Blind judging](https://www.filmscorecard.com/help/festival-settings.md#blind-judging-cannot-be-turned-off).
- **Filmmakers**, once their scorecard is released, see their score out of 100 —
  or **No scores** for a category whose every section is weighted 0% — but
  **not your weights**, and not how many judges are still to come. See
  [Releasing scorecards](https://www.filmscorecard.com/help/releasing-scorecards.md).
- **Your team** sees everything: every score, every slice, and the split behind
  each category.

## Related guides

- [Festival settings](https://www.filmscorecard.com/help/festival-settings.md) — the Judging tab field by field,
  including Judges per category and the weights.
- [Categories and scorecards](https://www.filmscorecard.com/help/categories-and-scorecards.md) — the scorecards
  each category carries, and the questions and points on them.
- [Submissions](https://www.filmscorecard.com/help/submissions.md) — the scores on the list, the Scoring filter,
  and which category a row shows.
- [Filling out a scorecard yourself](https://www.filmscorecard.com/help/filling-out-a-scorecard.md) — your team's
  own creative, technical and press-kit cards.
- [Releasing scorecards](https://www.filmscorecard.com/help/releasing-scorecards.md) — what a filmmaker sees, and
  when.
