# Saving a submission to your account

> From FilmScorecard Help: https://www.filmscorecard.com/help/saving-a-submission-to-your-account

A festival entry reaches [Your projects](https://www.filmscorecard.com/help/your-projects.md) in one of five
ways, after which its two private pages open for you without a code.

- **The first time, you set up a project from it** on the welcome screen. See
  [Your first project](https://www.filmscorecard.com/help/your-first-project.md).
- **After that, an entry under your account's address is saved by itself.**
  See [Automatically, by your address](#automatically-by-your-address).
- **Keep it**, on a scorecard you opened with its code while signed out,
  emails a code to the submission's address and makes or opens the account
  on it. It is switched off for now. See
  [Keep it, from your scorecard](#keep-it-from-your-scorecard).
- **Save to your account**, on the code box in front of your submission page,
  saves it with its access code to the account you log in with, whatever
  address it is under. It is switched off for now. See
  [With Save to your account](#with-save-to-your-account).
- **Add an entry**, on a project's **Festivals** tab, takes an entry's access
  code. See [Your festival entries](https://www.filmscorecard.com/help/your-festival-entries.md).

This guide covers them, which project an entry joins, and what changes once a
submission is yours.

**Saving takes nothing away from the festival.** The festival keeps its copy of
your submission and goes on editing and judging it exactly as before. What you
gain is your own record of it: the entry appears in one of your projects, and
its two private pages open for you without a code.

**You never have to do any of this.** The button and the nine-character code
in a festival's emails open your submission page and your scorecard with no
account at all, and **Not now** hides the offer to keep a scorecard. See
[Your submission page](https://www.filmscorecard.com/help/your-submission-page.md) and
[Getting into your scorecard](https://www.filmscorecard.com/help/getting-into-your-scorecard.md).

## Automatically, by your address

**Every time you log in with an emailed code, and every time you open Your
projects**, FilmScorecard looks for festival submissions whose submitter
address is the address your account logs in with. Each one it finds is saved to
your account and put into a project.

**This starts once your account has a project.** Until then nothing is saved
by itself: the first time, you choose what to set up on the welcome screen.
See [Your first project](https://www.filmscorecard.com/help/your-first-project.md).

- **The submitter address is the one the festival holds for your
  submission**: the one its emails, codes and results go to. Capitals and
  spaces at either end do not matter; anything else does.
- **It also takes back a submission saved under your address by somebody
  else**, with its code. See
  [When another account has it](#when-another-account-has-it).
- **It works for any account.** A judge or a member of a festival's staff who
  once entered a festival with the same address finds that submission saved to
  their account too, once that account has a project.
- **Nothing to press and nothing to approve.** Nothing is emailed either.
- **A submission under another address is not found**, even if it is yours.
  Add it with its access code — see
  [Your festival entries](https://www.filmscorecard.com/help/your-festival-entries.md#adding-an-entry-with-its-access-code)
  — or ask the festival to correct the address before anybody saves it.
- **Once a submission is saved, the address on it no longer decides whose it
  is.** If the festival changes the address afterwards, the submission stays
  where it is, and only the festival's emails follow the new address.
- **A new submission arrives the same way.** When a festival on FilmScorecard
  receives another entry from you later, it appears the next time you log in or
  open Your projects.
- **If you change the address you log in with**, the submissions already saved
  stay yours. Those under the new address are picked up next time. Those under
  the old address are not taken from you.

## With Save to your account

**Save to your account is switched off for now**, on the submission page as on
the scorecard: the code box shows only **Continue**, and nothing in this
section appears until it is turned back on. Meanwhile,
[Add an entry](https://www.filmscorecard.com/help/your-festival-entries.md#adding-an-entry-with-its-access-code)
takes the same access code.

**Save to your account** is on the code box in front of the submission page a
festival sends, before edits close and after. **It is offered to anybody but
the account the submission is already saved to**:

| Where | Signed in | Signed out |
| --- | --- | --- |
| **On the submission page's code box**, as a second button under **Continue** | Not for now; once back, yes | Not for now; once back, yes |
| **In the bar at the top of the submission page**, once you are in with the code | Not for now; once back, only after a save from the code box was refused, to show why | No |
| **On the scorecard**, on its code box or in its top bar | Not for now | Not for now |

**Signed out, the button takes you to the log-in screen first.** Log in, or
create an account from its **First time here?** note — that sign-up skips the
beta list; see
[A submission's access code goes around it too](https://www.filmscorecard.com/help/creating-an-account.md#a-submissions-access-code-goes-around-it-too).
You come back to the page you were on — the submission page's overview, or
whichever of its pages you opened — and the save finishes there: back on that
page as yours, or on to the welcome screen if your account has no project yet.
A refusal appears in amber beside **Save to your account** at the top of the
page.

It is not on the "Edits are closed" card a withdrawn or disqualified
submission shows, or on "Not available yet", because those pages take no code.
Festival staff reading the page never see it.

### From the code box

1. Type the nine characters from the festival's email.
2. Press **Save to your account** instead of **Continue**. It reads
   **Saving…** while it works.

**The code is checked exactly as Continue checks it.** A wrong code gets the
code box's own message and counts as one of your five tries an hour, and during
a lockout both buttons are greyed out. See
[Every message the code box can show](https://www.filmscorecard.com/help/getting-into-your-scorecard.md#every-message-the-code-box-can-show).

When the code is right:

- **Your account already has a project:** the submission is saved to it, and
  the page you were on opens again as yours, with no code needed from then on.
- **Your account has no project yet:** nothing is saved yet. You go to the
  welcome screen, which starts with this submission. See
  [Your first project](https://www.filmscorecard.com/help/your-first-project.md).

**A right code opens the page even when the save is refused.** You are in, just
as if you had pressed Continue, and the reason it was refused shows in amber
beside **Save to your account** at the top of the page.

### From the top of the page

**Save to your account** appears at the right of the bar across the top only
when a save you started from the code box was refused, with the reason beside
it in amber. Otherwise the bar does not show it. Press it to try again — it
reads **Saving…** while it works — and the same thing happens: saved and back
on this page as yours, or on to the welcome screen the first time. A refusal
appears beside the button in amber.

**If you were signed out in between** — your session ended after the page
opened — the button takes you to the log-in screen first, and the save
finishes when you come back to the page.

### When Save to your account is refused

Nothing is saved, and one of these appears:

| The message | What it means |
| --- | --- |
| "This entry is already saved to another account." | Another account has saved this submission. A code cannot move it away. See [When another account has it](#when-another-account-has-it). |
| "That code or link is no longer current. Use the newest link or code from the festival's email." | A new code has been sent since yours. Use the newest one, or ask for one with **Email me a new link** on the code box. |
| "That did not save to your account. Try again." | Something went wrong on the way. Press the button again. |

## Keep it, from your scorecard

**Keep it is switched off for now.** A scorecard opened with its code shows
no bar, and nothing in this section appears until it is turned back on.

**Open your scorecard with its code while you are signed out**, and a bar at
the bottom of the window offers to keep it:

> **Keep this scorecard with the rest of your work**
>
> A free account holds every entry sent from n••••@studio.co and opens this
> scorecard without a code.
>
> **Not now** · **Keep it**

- **The address is the one the festival holds for your submission**, shown
  as its first letter and its domain only. The whole address is never on the
  page.
- **It is on the scorecard only**: not on the code box, the "Not available
  yet" page or the submission page. It is never shown while you are signed in,
  once the submission is yours, or to festival staff.
- **Not now** hides it until you close your browser. The next visit asks
  again. Only your browser remembers it; nothing is saved on FilmScorecard's
  side.
- **On a phone, while a price bar holds the bottom of the screen**, the same
  offer is a card under your score instead. The **Rate this scorecard** pill
  sits above the bar, and the bar never prints.

### Keeping it

1. Press **Keep it**. A 6-digit code is emailed to the submission's address.
2. The **Check your email** screen reads "We sent a 6-digit code to
   n••••@studio.co.", masked the same way, with no **Change email** link.
3. Type the code and press **Log in**. The line under the boxes reads "By
   entering the code, you agree to the Terms of Use and Privacy Policy."

What happens next:

- **No account on that address yet:** entering the code creates a free one.
  There is no form and no role to choose, and it is not held to the private
  beta: the scorecard's code is what lets the account be made.
- **An account already on that address:** entering the code logs you in to
  it. The screens are the same either way.
- **The account has no project yet**, which is always so for a new one: you
  go to the welcome screen, starting with this submission. See
  [Your first project](https://www.filmscorecard.com/help/your-first-project.md).
- **The account already has a project:** the submission is saved to it
  [by its address](#automatically-by-your-address), and you are back on the
  scorecard as its owner, with no bar and no code needed from then on.

**The code goes to the submission's inbox, never to whoever pressed the
button.** Somebody you forwarded your scorecard to can press **Keep it**, and
gets no further than the masked address.

**It needs a code that is still current and in date**:

- **A newer code has been sent since you opened the page:** **Keep it** takes
  you back to the code box. Type the newest code, then press **Keep it**
  again.
- **Your code has expired**, though this browser still opens the page:
  nothing is sent and the page reloads as it was. Use the code from a newer
  email; see
  [When you need a new code](https://www.filmscorecard.com/help/getting-into-your-scorecard.md#when-you-need-a-new-code).
- **"We could not send that code. Check your connection and try again."**,
  in amber under the buttons, means the email did not go. Press **Keep it**
  again.

## Which project it joins

**A saved submission joins the project that is the same work**: the project
itself, or any festival entry already in it, has

- **the same kind**: a film with a film, a screenplay with a screenplay;
- **the same title**, ignoring capitals, accents, punctuation and extra
  spaces, so "Don't Look Back" matches "dont look back" and "Long-Way" matches
  "Long Way";
- **about the same length**: a runtime within one minute for a film, a page
  count within 5 pages for a screenplay. When either side has no runtime or
  page count, the kind and the title are enough.

Then:

- **Two matching projects:** it joins the older one.
- **No matching project:** FilmScorecard makes a new project from the
  submission.
- **Several matching submissions saved at the same moment** go into one new
  project, filled in from the newest of them.
- **On the welcome screen you choose for yourself** which entries join your
  first project. See [Your first project](https://www.filmscorecard.com/help/your-first-project.md).
- **Grouped wrongly?** Move the entry. See
  [Moving an entry to another project](https://www.filmscorecard.com/help/your-festival-entries.md#moving-an-entry-to-another-project).

**A new project made from a submission starts with the festival's copy of it:**

| On the new project's [Details](https://www.filmscorecard.com/help/project-details.md) | Taken from the submission's |
| --- | --- |
| **Title** and format (Film or Screenplay) | Title and format |
| **Logline** | Tagline |
| **Synopsis** | Synopsis |
| **Genre** | Genres |
| **Year** | Completion year |
| **Language** and **Country** | Language and country of origin |
| **Trailer link** | Trailer link |
| **Length** | Runtime or page count |
| **Credits** | Directors, Writers, Producers and Cast, one credit per name, with the role Director, Writer, Producer or Cast (up to 60) |
| **Poster** | A copy of the poster image |

**Not copied:** the submission's other credits, its statement, your contact
details, the festival's own fields, and anything only the festival keeps. The
screener and its password do not appear anywhere in your project. If the
poster cannot be copied, the project starts without one and the submission is
still saved.

**The new project's page is not published.** Its address is made from the
title at this moment, and nobody can open the page at that address until you
publish it. The first time you open the project's **Page**, a starter page is
made from these details for you to build on. See
[Editing your page](https://www.filmscorecard.com/help/editing-your-page.md) and
[The public film page](https://www.filmscorecard.com/help/public-page.md).

**From then on the project is yours.** Change its Details, or build and publish
its page; none of it changes the festival's copy.

## When a project goes away by itself

**One kind of project can be removed without you doing anything**: a project
FilmScorecard made from a festival submission, that you have never saved a
change to, on its Details or on its page, once no festival entries are left in
it. That happens when:

- you [move](https://www.filmscorecard.com/help/your-festival-entries.md#moving-an-entry-to-another-project)
  its last entry to another project;
- another account [takes the submission](#when-another-account-has-it);
- the festival removes the submission, for example by undoing an import or
  deleting the festival.

The first two remove the project at once. The third removes it the next time
you log in or open Your projects. **Its page goes with it**, though such a
project never has a published page, because publishing keeps a project.

**A project you added yourself is never removed, and neither is one you have
saved a change to.** If you want to keep a project FilmScorecard made, do any
one of these once:

- open its [Details](https://www.filmscorecard.com/help/project-details.md), change something and press **Save
  changes**;
- change something on its **Page**, which saves to your draft by itself;
- publish its page.

**Just opening the project, or its Page, does not count.**

## When another account has it

**The first save stands, with one exception.** A submission saved with its
code to an account on another address can be taken back by the account on
the address the submission carried when it was saved. Nothing else moves it.

| What happened | What happens next |
| --- | --- |
| You saved it with the code, and an account on the address it carried then logs in | It moves to their account and leaves your project: listed on their welcome screen, or the next time they log in or open Your projects once they have a project. Nobody is emailed. |
| It is saved to any account, and somebody else presses **Save to your account** or **Add an entry** with the current code | Refused: "This entry is already saved to another account." The one exception is the takeback above, which succeeds. |
| The festival changes the address on it after it was saved | Nothing moves. The account on the new address cannot take it; only the festival's emails go there. |
| A new code is sent after you saved it | Nothing changes. It stays yours. |

**An unlocked scorecard belongs to the submission, not to an account.** If the
submission moves to another account, its scorecard stays unlocked there.

## Once it is saved

- **Its two private pages open without a code**, whenever you are signed in to
  this account: the submission page — unless the submission is withdrawn or
  disqualified — and the scorecard once it is released. **Save to your
  account** is not shown, and everything on the pages works as it does with the
  code: saving your corrections, replacing the poster, writing your questions
  for the judges, writing to the festival, unlocking the scorecard, promo
  codes, **Share** and the PDF.
- **The code still works**, in any browser, as before.
- **The entry is on its project's Festivals tab**, and anything the festival
  asks for is in the bell's To do list. See
  [Your festival entries](https://www.filmscorecard.com/help/your-festival-entries.md) and
  [Missing items](https://www.filmscorecard.com/help/your-notifications.md#missing-items).
- **What the festival announces about it reaches you** in the bell. A
  selection or award it announces also appears as a laurel on the project's
  page, when the page has a **Laurels** block. See
  [Editing your page](https://www.filmscorecard.com/help/editing-your-page.md).

## If you also judge

**A film saved to your account leaves your judging**, at every festival:

- it is no longer offered to you, and it leaves your judging home's counts;
- if you were holding it, part-way through scoring, your hold is let go as if
  you had released it, and the film goes back to the other judges;
- any scorecard you had already filed on it stays filed.

See [Your own submissions](https://www.filmscorecard.com/help/how-the-judging-queue-works.md#your-own-submissions).

## What the festival sees

- **One line on its record of your submission.** Its history shows that the
  submission was saved to an account, when, and the email address that account
  signs in with. Nothing else marks it — nothing on its list of submissions —
  and nothing is emailed to the festival.
- **It can still change everything.** The festival edits its record and its
  poster exactly as before.
- **It never sees your project.** Only three things of yours reach its copy: a
  [send from the bell](https://www.filmscorecard.com/help/your-notifications.md#sending-something-to-a-festival),
  **Copy current details into this entry** in the entry panel (see
  [Copying your project's details into an entry](https://www.filmscorecard.com/help/your-festival-entries.md#copying-your-projects-details-into-an-entry)),
  and a save on the submission page. All three count as the submitter's own
  edits.

## Related guides

- [Your projects](https://www.filmscorecard.com/help/your-projects.md): the workspace saved submissions land in.
- [Your first project](https://www.filmscorecard.com/help/your-first-project.md): the welcome screen, where
  your first entry becomes a project.
- [Your festival entries](https://www.filmscorecard.com/help/your-festival-entries.md): the Festivals table and
  entry panel, adding an entry with its access code, and moving entries between
  projects.
- [Getting into your scorecard](https://www.filmscorecard.com/help/getting-into-your-scorecard.md): the access
  code, its limits and every message the code box can show.
- [Creating an account](https://www.filmscorecard.com/help/creating-an-account.md): the other ways an account is
  made.
