Promo codes

Your organization's own discount codes for the scorecard unlock. A filmmaker types one into the checkout dialog on their scorecard page before they pay, and the scorecard costs less. This screen is where you create codes, decide which seasons each one works in, how many times it can be used and between which dates, and pause, end or copy them later. It also shows how often each code has been used, and on which orders — and it is where you email a code to the filmmakers who could use it.

The price itself is still not yours to set. Every scorecard sells at the platform's $29.99, and $22.49 for each further category of the same submission. See Selling scorecard access. A code is the only way to sell below that price, and it only works when a filmmaker types it in. Nothing here lowers the price for everyone, and nothing adds a code to a sale that has already happened.

A percent or amount code never makes a scorecard free. Every order it is used on still pays at least the platform fee and your share of Stripe's processing fee, so how deep a code can go depends on your organization's fee terms — see How deep a code can go. Only a Free unlock code makes a scorecard free, and you can make one only where FilmScorecard has allowed your organization free codes — see Free unlock codes.

Finding the screen

Promo codes is in the top block of the left navigation, directly under Orders. It is on every organization and festival screen, but only for the people who can open it (see Who can open it). Everyone else does not see the row. Its address is:

/org/<organization>/promo-codes

The festival switcher in the top bar reads Overview on this screen. One code can serve seasons of several festivals, so the screen does not belong to any single festival.

The address only keeps track of the open panel. ?code=new is the form for a new code, and ?code=<id> is one existing code's panel. If you copy the address while a panel is open, a colleague who can open this screen lands on the same code. A link to a code that is not in your list opens the plain list. Your search, filters, sort and selection reset when you reload the page.

Who can open it

Only an owner or an org admin, and only while their access is active. These are the same people who can open Orders and Organization settings. Everyone else gets an ordinary "page not found" and does not see the navigation row:

• A Member of your organization, whatever festivals they run for you and whatever festival role they hold, including a festival admin.
• Anyone whose organization role is Finance.
• Anyone whose access you have suspended.
• Anyone outside your organization. For them, your organization's address looks exactly like a mistyped one.
• A logged-out visitor is sent to the log-in screen first.

Every change on this screen is checked again on the server, so a tab left open after someone's access changed cannot save anything.

What a code does at checkout

Everything on the form is about what happens when a filmmaker uses a code, so that comes first.

• Filmmakers type codes into the checkout dialog, under Have a promo code?, before they go to Stripe. Each order takes one code. Capitalisation does not matter: spring25 works for SPRING25. See Paying for your scorecard for what the filmmaker sees.

• Filmmakers can see a code's discount before they pay. Apply, beside the field, shows the code's terms, what it saves on their order and the new total, in the dialog. It is optional: Continue to checkout applies a typed code either way. Apply holds no use of the code — see How uses are counted.

• Codes only work at your own festivals. A filmmaker at another organization's festival cannot use your code, and nobody else's code works at yours.

• A code works only in the seasons it covers. A code for specific seasons is refused on any other season, including another season of the same festival. See Applies to.

• A code only works where a scorecard can be bought. The scorecard has to be released and priced as usual, and your payouts have to be fully enabled. Until your payouts are set up, the filmmaker is told the festival is not set up to accept payments, and no code gets checked. See Connecting payouts.

• The code applies to each category in the order, at that category's own price. The 25% extra-category discount comes off first, then the code. On the usual fee terms, each priced as an order on its own:

  Code	A $29.99 scorecard	A $22.49 extra category
  20% off	$23.99	$17.99
  $15.00 off	$14.99	$7.49
  $27.81 off	$2.18	$2.18

• Every order pays at least what covers its own fees. That is the platform fee — your rate, never under $2.00 unless your rate is 0% — plus your share of Stripe's processing fee on what is paid, and never less than $0.50 in all. On the usual terms that minimum is $2.18 an order. Each category keeps its share of that minimum, so a code that would take more off stops there. In the last row above, $27.81 off a $22.49 category stops at $2.18.

• Percent and amount codes never make an order free: the filmmaker always pays something, on Stripe. A Free unlock code is the exception — see Free unlock codes.

• The filmmaker pays on Stripe. Stripe's page already shows each category at its price after the code, with the code and the amount it saved on that category.

• When a code cannot be used, the filmmaker sees one sentence, at Apply or at Continue: "That code can't be used for this purchase." The same sentence covers every reason: the code is not one of yours, it is paused or ended, its start date has not arrived, its end date has passed, it does not cover this season, it is used up, this filmmaker has already used a once-per-submitter code, or it is a Free unlock code at an organization that does not allow free codes. The message never says which reason applies.

• After ten unusable codes in an hour on one submission, every code is refused, including a valid one, until the hour has passed. Refusals at Apply and at Continue count toward the same ten. If a filmmaker says a code you know is valid keeps being refused, this is one likely reason.

• What your festival sees of it. Nothing about a code a filmmaker types, or tries with Apply, is shown to you. When they go on to Stripe with a code, the submission's Audit tab records that they started checkout — the categories, the total, and Promo code reading "Applied", without saying which code. Once they pay, the unlock entry names the code. Both entries are shown only to people with the View revenue and payouts permission. A Free unlock code never reaches Stripe, so it has no checkout entry: its unlock reads "unlocked the full scorecards free", with the code. See The Audit tab.

• What FilmScorecard keeps of it. When a filmmaker presses Apply, FilmScorecard notes only whether the code worked, did not, or was one of yours that had ended or expired — never the code itself — for its own overall picture of how codes are used. No festival is shown it.

How deep a code can go

A code can take off at most what leaves a lone $29.99 scorecard covering its own fees: the platform fee and your share of processing. The limits follow your organization's fee terms — its rate, whether the rate is charged on what is paid or on the full price, and your share of processing:

The form states your own limits under the discount, and refuses anything deeper. Terms that leave no room at all refuse every percent and amount code, and the form says "Your organization's platform fee leaves no room for a discount."

A code made before these limits existed keeps working. A deeper code you already had stays active, and checkout holds each order it is used on at the minimum above. Its panel still saves as long as its discount is left as it is; a new discount has to fit your limits.

If your terms change later, your codes do not. Checkout holds each order at the minimum for the terms in force when the filmmaker presses Continue to checkout.

Free unlock codes

A Free unlock code makes the whole order free — every category in it, at no charge, with nothing taken by anybody. You can make one only where FilmScorecard has allowed your organization free codes; the form does not offer Free unlock otherwise. If your organization should be able to, ask FilmScorecard.

What a filmmaker who types one meets:

• No trip to Stripe. They press Continue to checkout and land straight back on their scorecard, unlocked, on the category they chose. If they press Apply first, the dialog shows Free and a $0.00 total, and the button reads Unlock scorecard.
• The order is what they asked for: the category they pressed, and every other locked category too if they ticked Add your other … categories — all of it free, as one order.
• They are emailed a receipt, for $0.00.

Everything else about a code still applies: the seasons it covers, its start and end dates, its usage limit, Once per submitter, pausing and ending. On Orders each category is a Free unlock row at $0.00, with the code on it and its whole price as the discount, and its receipt can be resent.

If FilmScorecard turns free codes off for your organization, every Free unlock code you have is ended there and then — Ended, refused at checkout, and never coming back. Turning them back on later restores nothing: make new ones. Orders already made with them stay on Orders.

The Free unlock codes of earlier days were all ended, before free codes needed FilmScorecard's say-so. They stay on the list as Free / Whole order rows with the status Ended, and their past orders still read on Orders.

The list

The header is the title Promo codes.

Every code your organization has ever made is in the table, one row each, including ended ones. There is no Load more, because all of them are listed.

The last column holds each row's ⋮ menu (see The row menu). Click anywhere else on a row to open that code's panel.

The Redemptions bar is indigo, turns amber once 85% of the limit is used, and is grey on a code that is no longer in use. A code with no limit has no bar.

The table scrolls sideways rather than restacking. When the card is narrower than the table, the header row stays pinned to the top and the Code column stays pinned to the left. The rows stay rows at every width. The scroll area is a tab stop, so you can scroll it with the keyboard.

Statuses

Each code has a status based on its dates, whether someone has paused or ended it, and how many times it has been used. Status is recalculated every time the page loads, and dates follow your organization's calendar.

• When more than one applies, the first match in this order wins: Ended, Used up, Expired, Paused, Scheduled, Active. For example, a paused code whose end date passes shows Expired.

• An end date of today still counts as Active until midnight in your organization's time zone.

• Used up, Expired and Ended rows have a grey background.

• Only Ended is permanent. You can bring the others back:

  • Paused: use Resume.
  • Used up: raise its limit in the panel.
  • Expired: move its end date, or choose No end date.
  • Scheduled: wait for its start date.

  An ended code can only be copied (see Duplicating).

Searching, filtering and sorting

Everything in the toolbar applies as you type or tick. There is no Apply button.

• The search box reads "Search 8 codes". It matches the code, the label and the names of the seasons it covers, each with its festival's name — so a festival name finds every code covering one of its seasons. The ✕ in the box clears it, and so does Escape.
• Status, Festival and Type each open a list with a Select all row and a count beside each option. Festival lists every festival in your organization, A to Z, and has its own search box. It keeps every code that covers a festival you ticked: a code for All seasons covers every festival, and a code for specific seasons covers a festival when it holds any of that festival's seasons. Type is Percent off, Amount off or Free unlock.
• The counts next to options stay fixed as you tick boxes. Each count is measured across every code, not just the codes left after filtering.
• Clear filters appears once any filter or search is set, and resets all of them.

Below about 1340 pixels wide, the three filters are replaced by a single Filters button showing how many are set. It opens the same lists in an overlay.

Every column heading sorts the table. Click once to sort by that column and click again to reverse the order. The screen opens sorted by Status in workflow order: Active, Scheduled, Paused, Used up, Expired, Ended. Discount sorts by how much the code takes off $29.99, with Free counting as the whole price. Applies to sorts by the number of seasons covered, with All seasons highest. Redemptions sorts by orders. Valid sorts by end date, and codes with no end date come last. Ties are sorted by code, A to Z.

The line under the table describes what you are looking at, for example "8 codes, no filters, sorted by status in workflow order" or "3 of 8 codes, filtered by status and search, sorted by discount, low to high".

When nothing is listed

• Your organization has no codes yet. The list shows "No promo codes yet" / "Create a code to take money off scorecards at checkout.", with a Create promo code button.
• Your search or filters match nothing. The list shows "No code matches these filters" with a line naming your search, or "None of the 8 codes fit every filter that is set.", and a Clear filters button.

Creating a code

1. Press Create promo code at the right end of the toolbar.
2. A panel headed Create promo code slides in from the right. Fill in its five sections, described below.
3. Press Create code. Cancel, Escape, the ✕ and clicking the darkened background all close the panel without saving.

A message at the foot of the screen confirms it:

Created SPRING25. It works now at checkout on Pacific Coast Film Festival Fall 2026.

The end of the sentence names the one season the code covers, or reads "3 seasons" or "every season". If the start date is still ahead, the message reads "Created SPRING25. It opens on Oct 1, 2026 at 3 seasons." instead.

A new code starts as: 20% off, specific seasons with none picked yet, limited to 100 uses, once per submitter switched on, starting today on your organization's calendar and ending on 31 December of this year.

Code

• Code submitters type at checkout. As you type, letters become capitals and spaces are removed. A code is 4 to 24 letters, numbers or hyphens. Generate fills in FSC- followed by eight random characters, skipping 0, O, 1 and I so the code is easy to read aloud.
• Codes are unique across your organization, including ended codes. You can never reuse the name of an ended code.
• Internal label, optional and up to 80 characters, with the placeholder "Who this code is for". Only your team sees it. It appears under the code in the list, and the search box matches it.

Discount

Choose Percent off or Amount off — or, where your organization is allowed free codes, Free unlock. Switching back and forth resets the value to 20% or $10.00.

• Percent off takes a whole number from 1 to your organization's limit — 92 on the usual terms.
• Amount off takes dollars and cents from $0.01 to your organization's limit — $27.81 on the usual terms — and adds the missing decimals when you leave the field.
• Free unlock takes no value: it makes the whole order free. There is no preview and no note under it. See Free unlock codes.

See How deep a code can go for the limits.

Once a percent or amount is valid, a preview shows what the code does to both prices. Each row strikes through the price before the code, shows what the filmmaker pays, and under it You receive — what is left after the platform fee and your share of processing on that row, priced as an order on its own. On the usual terms, a 25% code previews as:

A row the minimum holds shows the held price. Under the preview, one line about your organization's terms. On the usual terms it reads:

The platform fee (20%, at least $2.00) is charged on what the submitter pays, and you pay half of Stripe's processing fee. Codes go up to 92% or $27.81 off.

Who pays processing reads "you pay half of Stripe's processing fee" at a 50% share, "you pay 30% of Stripe's processing fee" at any other share, "you pay Stripe's processing fee" at 100%, and "FilmScorecard pays Stripe's processing fee" at 0%. When an amount code is held on the extra-category row, the line adds "An extra category costs less than this code takes off, so it stops at the fees."

Opening a Free unlock code at an organization that does not allow free codes — one of the ended ones from earlier days, say — shows "Free unlock codes are no longer offered. Duplicate this code for a percent-off copy." where the type buttons would be, and the panel will not save it.

Applies to

• Specific seasons, the default, shows your festivals A to Z, each as a heading with its seasons underneath, newest first, named by label and year — "Fall 2026". It has a search box, "Search festivals and seasons", that matches a festival's name (and then shows all its seasons) or a season's; a Select all row (Select all 3 matching while you are searching); and a count such as "2 of 9".
• Ticking a festival's heading ticks every season it shows now. A season that festival adds later is not ticked, and the code does not cover it until you open the panel and tick it.
• All seasons reads "Works on every season of every festival, and on any season the organization adds later."

When your organization has no seasons at all, Specific seasons reads "No seasons yet", and only All seasons can be saved. A search that matches nothing reads No festival or season matches "fall".

Codes made before codes were scoped to seasons cover every season their festivals held at the time of the change. A season added since then is not covered by them; an All festivals code became All seasons and covers everything, later seasons included.

Usage limit

• Limited, the default, with a Total redemptions field, or Unlimited. The limit counts orders, not categories, across every season the code covers. Once the code has been used, the line under the field shows how many uses there are so far, for example "Counts every season the code covers. 12 used so far."
• Once per submitter, on by default: "One redemption per buyer email, across every season the code covers." The email is the submitter's email on the submission, not the address they type on Stripe's page. A filmmaker with three films can use the code on one of them.

Dates

• Starts is required.
• Ends: On a date (with an End date field) or No end date.

The line under both reads "Dates run midnight to midnight in America/Los_Angeles, the organization time zone." The zone is the one set under Organization settings → Organization profile, or UTC when it is Not set. See Organization settings. Checkout uses the same calendar to decide whether a code has started or expired.

When something needs fixing

Nothing is checked until you press Create code (or Save changes) for the first time. After that, a box at the top of the panel says "2 fields need attention" / "Fix the highlighted fields below, then create the code again." (or "…then save again." when editing), and each field shows its own line:

If the save itself fails, "The code could not be saved. Nothing changed. Try again in a moment." appears above the buttons. Everything you typed stays in the panel.

Editing a code

Click the row, or choose Edit code from its menu. The panel is headed Edit promo code and shows the code, its status and "12 of 100 redeemed" (or "12 redeemed, no limit"). It has the same five sections as the create form plus a Redemptions section — and an Emails section once the code has been emailed — and its button is Save changes. Saving shows "Saved changes to SPRING25."

• You can rename a code until its first order.
• You cannot lower a limit below the uses so far. That count includes checkouts still in progress (see How uses are counted).
• Editing an ended code does not bring it back. It stays Ended.
• A code deeper than your limits saves with its discount untouched. Change the discount and the new one has to fit.

Once a code has been used, its code and discount are locked

After the first order is placed with a code, the panel shows this note:

Code and discount are locked This code has 3 redemptions, and past orders must keep the terms they were sold at. Duplicate it from the row menu to offer a different discount. Seasons, limit and dates can still change.

The code field, the discount-type buttons and the value are greyed out, and Generate disappears. The label and Once per submitter can still be changed too.

If the first order arrives while you have the panel open, saving shows the same note. The code and discount go back to their saved values, and the panel stays open with your other changes still in place. Press Save changes again to keep those changes.

The Redemptions section

3 orders used this code. The discount per order depends on how many categories it unlocked; each order below shows its own.

It reads "No orders have used this code yet." until the first order. Under the sentence are up to five of the most recent orders, newest first. Each one shows the buyer (the submitter's name, or their email when there is no name), the receipt code and festival, how much the code took off that order across all its categories, and the date. Click an order to open it in Orders. Open in Orders, next to the sentence, opens the most recent order.

The Emails section

Every time the code has been emailed is listed here, newest first, under the Redemptions section — each Email this code send, and each scorecard release that carried the code in its results emails:

• "12 people · 15 films" — how many addresses and films that send reached. The figures count what has actually gone out, so a send still running grows as it goes.
• Under it, the seasons it was sent for, by name — followed by Sending while it is still going, or Stopped: the code is no longer active if the code was paused, ended or used up part-way through. A release's row reads "season · With scorecard release", and counts only the results emails that actually carried the code — not the ones that went without it because the code had stopped working, or to filmmakers who have unsubscribed from your offers.
• On the right, the day it was sent.

A code that has never been emailed has no Emails section at all. See Emailing a code and In a release's results emails.

The row menu

The ⋮ at the end of each row opens a menu headed with the code and a line such as "20% off, 12 redeemed". Actions that do not apply are left out of the menu, not greyed out.

A Used up or Expired code has no Pause or End, because checkout already refuses it.

Ending a code

End SPRING25? Checkout stops accepting it right away. 3 past orders keep their discount. This cannot be undone, and the code name stays reserved. Pause instead if you may want it back.

Press End code, or Cancel. The message "Ended SPRING25." confirms it. There is no way to delete a code. Ending a code is the closest option, and the code stays on the list.

Pausing or ending affects new checkouts only. A filmmaker who is already on Stripe's page with the code can still pay within that page's 30 minutes, at the price they were shown. One who has only pressed Apply is refused when they press Continue to checkout. Likewise, if a code's discount changes between a filmmaker's Apply and their Continue, Continue stops and shows them the new total before they pay. It does stop an email send that is still going — see Emailing a code.

Duplicating a code

Duplicate SUMMIT30? Creates SUMMIT30-COPY with the same discount, seasons, limit and dates. It starts paused with no redemptions, so you can rename it and check the terms before it goes live.

Press Duplicate. The message "Created SUMMIT30-COPY, paused." confirms it. The copy also keeps the label and the once-per-submitter setting. If the name is already taken, it becomes -COPY2, -COPY3 and so on, and a long code is shortened so the name fits in 24 characters. The copy has no orders, so nothing about it is locked. Rename it, change its discount, then Resume it. A copy of an expired code is also expired until you move its end date.

The copy fits your current terms. A discount deeper than your organization's limit comes down to the limit in the copy. A Free unlock code copies as a Free unlock code where your organization is allowed free codes, and as a percent-off code at your deepest percent where it is not. On terms that leave no room for any discount, duplicating a percent or amount code is refused with "The code could not be duplicated. Nothing changed. Try again in a moment."

This is how you offer a different discount to the same people once a code's terms are locked. A copy is a new code as far as emailing goes: filmmakers the original was emailed to can be emailed the copy.

Emailing a code

Email this code, in the row menu of an Active code, emails the code to the filmmakers in the seasons it covers who could use it today — one email per address, listing each of their films with a button to its scorecard and its access code. It is the only email on FilmScorecard your organization writes itself, and it goes out in your organization's name.

Before you send: your mailing address

The email carries your organization's postal address at its foot, as an offer email must, so a code cannot be emailed until one is set: the Mailing address field on Organization settings → Organization profile. Without it, the send is refused, naming the field. While it is missing, the Organization settings row in the left navigation carries an amber 1 and opens straight on that tab.

Two other things decide what the email looks like, from the same tab:

• Legal entity, if you have filled it in, is the name printed above the address. Otherwise it is your organization's name.
• Support email is where replies go. Without one, a filmmaker who replies reaches no one at your organization.

The dialog

Headed Email this code, with the code in monospace under the title:

1. Seasons — a tick list of the seasons the code covers: every season of every festival your organization runs for an All seasons code, the code's own seasons otherwise, each named with its festival. A Select all seasons row sits at the top when there is more than one. Nothing is ticked when the dialog opens, so nobody is reached until you choose.
2. Subject — up to 200 characters.
3. Message — up to 5,000 characters of plain text. Line breaks are kept.
4. The count — under the message, a live line: "12 people · 15 films", recounted a moment after each tick. It reads "Counting…" while it works. When the code's usage limit is lower than the number of films, "Usage limit 10" sits beside it in amber: the email can reach more films than the code can be used on.

The subject and message open on what this code was last sent with. Before its first send they open on a short default — "20% off your scorecard from your organization", and "Thank you for submitting to your organization. Your scorecard is ready to view, and the code below takes 20% off at checkout." (for a Free unlock code: "A free scorecard from …" and "… the code below unlocks it free at checkout.") — which you can change as you like. Whatever you send is remembered on the code for next time; another code keeps its own.

Press Send. A confirmation takes the dialog's place —

Send these emails?

Email 12 people about 15 films?

— with Send emails and Back; Back returns to the form with everything you typed. Cancel closes the dialog and sends nothing. After Send emails, the dialog closes and "Emailing FALL50 to 12 people." appears at the foot of the screen. With a count of zero there is no confirmation: the send is asked for straight away, and the refusal says why nobody can be reached.

Who it reaches

In each season you tick, every submission that a filmmaker could buy a scorecard for right now and has not:

• The submission is live — not withdrawn or disqualified — and its scorecard has been released, with the season or on its own.
• It has at least one category for sale that nobody has unlocked — bought, comped, freely unlocked or refunded. A film unlocked in every category it can be sold in is left out.
• The season carries a price, and your organization's payouts are ready.
• The submission has a submitter email address.

and then, from those:

• minus every film this code has already been emailed for. One code reaches one film once, ever, however many times you send it. A later send of the same code reaches only the films that have become eligible since.
• minus every address that has unsubscribed from your organization's offers.

Films are grouped by address, capitals aside: a filmmaker with three eligible films gets one email listing all three. The count's "people" are those addresses; its "films" are the films.

What the email says

• From "Your organization via FilmScorecard". It is sent from FilmScorecard's own address — a festival's own address would be marked as spam — with your name on it. Replies go to your Support email.
• Your subject and your message, exactly as typed. Nothing you type can become formatting or a link.
• Then a block you cannot change: the code in a box with what it does — "20% off your scorecard at checkout.", "$10.00 off …" or "A free scorecard at checkout." — and "Valid through Dec 31, 2026." when the code has an end date; then one block per film with its title, festival, season, a View your scorecard button that signs the filmmaker straight in, the same link printed under it, and its Access code; then a line about those access codes and when they expire. The button and the link under it both carry the code. They open the filmmaker's submission page with their scorecard put first — "Your scorecard is in" — and View scorecard there, like every other way from that page to the scorecard, takes the code along: the scorecard opens already priced with it, and every checkout the filmmaker opens there starts with the code applied.
• The footer: "Your organization sent this offer to the address on your submission.", your legal name or organization name, your mailing address, and Unsubscribe from your organization's offers.

Every film in the email carries the link and access code its filmmaker already has, the same ones your results emails and submission-link emails carry — so nothing they hold stops working, and the email keeps them working for 30 days from this send. Only where a film's link has reached its 90-day limit does the email bring a new link and code, and then it says the earlier ones no longer work. See One link and one code at a time.

Each film's email is on its submission's Audit tab, as "FilmScorecard sent the Promo code email" — with the address, when it was queued and sent, and Delivered or Bounced once the filmmaker's mail service reports back — or "could not send" when it failed. An address that has unsubscribed from your offers reads "did not send the Promo code email", with Not sent: unsubscribed. A filmmaker who follows the email's button is on the tab too: their visit to the submission page, and their view of the scorecard if they go on to it, each read "Opened from the Promo code email". See The Audit tab.

What the filmmaker sees, and how they unsubscribe, is An offer from a festival.

While it sends

The send runs in the background, a batch of addresses at a time, and you can leave the screen. Its progress is the Emails section of the code's panel — see The Emails section.

• Every batch checks the rules again. A filmmaker who buys, an address that unsubscribes, or a film another send has just reached is skipped from the next batch on.
• Pausing, ending or using up the code stops it. The remaining addresses are not sent, and the Emails row reads Stopped: the code is no longer active. Resuming the code does not restart the send; send again, and the films already reached are skipped.
• An address that cannot be delivered to is skipped and the rest carry on. That film is not counted as reached, so a later send can try it again.
• It goes out even where FilmScorecard has switched off your organization's automatic emails. That switch — used, for instance, while an archive of your earlier seasons is brought in — holds back the emails a festival's own events would send: scorecard results, announcements, judge invitations and notices, coordinator notices and submission links. A code you email is your own offer, sent on purpose, so it is not held back.

If the send is refused

Refusals appear inside the dialog, under the heading "This code was not emailed", and everything you typed stays:

The count line reads "The count could not be read." when it could not be worked out; Send still asks the server, which gives the real answer.

It is never offered in a support session, and refused if attempted: an email in your organization's name is sent by your organization's own people.

In a release's results emails

The other way to send a code is with the results. When you release scorecards — for the whole season, for the rest of a season, or for one submission — the release dialog offers Include a promo code, listing your Active codes that cover the season. Pick one and each results email that release sends offers it, with the price worked out for that filmmaker as the email goes, and every scorecard link in it — the Unlock button, See your final score and the link printed under it — opens their submission page with the scorecard put first, and takes the code on to the scorecard when they press View scorecard: the scorecard shows the code's price with the price before the code struck beside it, and every checkout they open on that visit starts with the code applied. See Including a promo code.

A release with no dialog takes the season's code. When scorecards go out on their own — when judging closes, when selections are announced, when every submission is approved, or as each one is — the results emails carry the code chosen as Promo code on the season's Settings → Emails tab, on its Step 2 · Scorecards ready card, or none. The choice lists the same Active codes covering the season, for owners and org admins only, and is greyed out on a season that releases only by hand. See Scorecard ready.

How it differs from Email this code:

• It reaches who the release reaches, not who the code could reach: every filmmaker the release emails, whether or not this code was emailed to them before. A filmmaker who has unsubscribed from your offers gets their results without the code.
• There is no subject or message of your own — it is the results email, with the code in it.
• A code that has stopped working by the time an email goes — paused, ended, used up, or a Free unlock code your organization is not allowed — is simply left out of that email.
• It is recorded the same way: a row in the code's Emails section, "With scorecard release".

Changing several codes at once

Hover over a row and its number becomes a checkbox (on a phone the checkboxes are always visible). The checkbox in the heading row selects every code that matches your current filters. Once anything is selected, a bar appears at the bottom of the screen:

✓ 3 codes selected · Clear selection · Resume 1 · Pause 2 · End 3 codes

• Each button counts only the selected codes it applies to, and is greyed out at zero. A selection with five codes may show "Pause 2", and it pauses those two.
• Resume and Pause take effect immediately: "Resumed 1 code.", "Paused 2 codes."
• End asks first, using the same confirmation as above, for example "End 3 codes?", counting every past order across them. Then you see "Ended 3 codes."
• Your selection clears after an action, and whenever you change the search or a filter.

If a change fails, "The codes could not be updated. Nothing changed. Try again in a moment." appears at the foot of the screen, and the list stays exactly as it was.

How uses are counted

• One order is one use, however many categories it unlocked.
• A checkout in progress holds a use. The use is reserved from the moment the filmmaker presses Continue to checkout with the code until they pay, or until about 45 minutes pass. Stripe's page stays open for 30 minutes, and the hold lasts 15 minutes longer. Redemptions counts only completed orders, but "left", Used up and the "used so far" count include checkouts in progress. A code can therefore show Used up and then return to Active when an abandoned checkout lapses. A Free unlock code completes its order on the spot, so its use is counted at once.
• A paid order is always honoured. If Stripe's confirmation arrives very late and the freed use has already been taken by someone else, both orders stand. In that rare case a code can end up one use over its limit.
• Once per submitter counts completed orders made with the email on the submission, across every season the code covers.
• A refund does not give a use back. A refunded order still counts toward the limit and toward once per submitter, and it still appears in the Redemptions section.
• Deleting a festival removes its orders from the count. A code made only for seasons that have since been deleted shows No seasons and does not work anywhere.
• Emailing a code uses nothing — by Email this code or in a release's results emails — and neither does a filmmaker pressing Apply to see its discount, or arriving on their scorecard from an email already priced with the code. Only an order counts.

What a code costs you

It depends on what your organization's platform fee is charged on. On the usual terms the fee is your rate on what the filmmaker pays, so a code lowers the platform fee as well as your share: a 20% code on a $29.99 scorecard charges $23.99, keeps $4.80 of platform fee and $0.50 of processing, and leaves $18.69 to you, where the same sale with no code would have left $23.40. On terms that charge the fee on the full price, the fee stays at $6.00 whatever the code, so the whole discount comes out of your share: the same code leaves $17.49 to you.

Either way, a code at your limit leaves you nothing on that order — on the usual terms, an order of $2.18 is $2.00 of platform fee and $0.18 of processing — and never a debt. A Free unlock code costs you the whole price and costs the platform its fee too: nobody takes anything. See Discounted sales for the figures, and Orders for how each coded order is recorded.

What this screen does not do

• Delete a code. You can end one, but it stays on the list and its name stays reserved.
• Make a scorecard free without FilmScorecard's say-so. Only a Free unlock code can, and only where your organization is allowed free codes. To give one filmmaker their scorecard for nothing yourself, use Comp scorecard access.
• Change your fee terms. The rate, what it is charged on, your share of processing and whether you may make free codes are FilmScorecard's to set for your organization; this screen only states the limits they give you.
• Apply a code for a filmmaker. Codes only work when the filmmaker types one at checkout. They never apply to a sale that has already happened, to a comp, or to a season that charges nothing. Emailing a code tells a filmmaker about it; it applies nothing.
• Show what a code has cost you in total. Each order's discount is in its panel on Orders and in the Orders CSV's Discount and Code columns. There is no CSV of codes, and the Orders search does not match codes.
• Notify you when a code is used. Nothing is emailed, and there is no count on the navigation row.
• Email a code to a list you choose. The send reaches exactly the filmmakers the rules above allow, in the seasons you tick. There is no way to pick or exclude individual filmmakers, to schedule a send, to preview your own message before it goes, or to see who opened it — there is no list of opens. Each submission's Audit tab shows whether its email was delivered, and when its filmmaker came to their scorecard through the email's button; see The Audit tab. Settings → Emails previews only the submission page link and Scorecard ready emails — see Emails your festival sends.
• Show or undo an unsubscribe. Nothing on your screens lists the addresses that have unsubscribed from your offers, and nothing re-subscribes one.
• Open for a festival admin, a coordinator or a finance member. Only owners and org admins can open it.
• Update while you watch. The list is loaded when the page opens and after each change you make. Orders placed while you are reading appear when you reload.

Related guides

• Selling scorecard access: the price, what you earn, what a discounted sale earns you, and comping.
• Orders: every unlock across the organization, with each coded order's List price, Code and Paid lines and the CSV's Discount and Code columns.
• Paying for your scorecard: the filmmaker's side, including the promo-code field, the sentence a refused code shows, and the receipt.
• An offer from a festival: the filmmaker's side of Email this code — the email, its button and access code, and unsubscribing.
• Releasing scorecards: including a code in the results emails a release sends.
• Connecting payouts: the payout account that codes, like every sale, depend on, and the platform fee line that states your terms.
• Organization settings: the time zone that code dates run on, and the mailing address, legal entity and support email the code's emails carry.